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Culture

Rome on screen

The films that capture Rome — and the locations you can visit.

The classics

Roman Holiday (1953, Audrey Hepburn and Gregory Peck) is a walking tour of postwar Rome disguised as a romantic comedy — the Mouth of Truth, the Spanish Steps and Piazza Venezia all appear. La Dolce Vita (Fellini, 1960) opens with the famous Trevi Fountain sequence and remains the defining image of Rome's particular melancholy glamour.

The Colosseum on screen

Gladiator (2000) used a combination of location shooting and CGI; the interior was rebuilt in Malta and digitally extended. The Colosseum's exterior appears in dozens of films, but the hypogeum (underground tunnels) have been used far less, making the real visit surprising even for film-familiar viewers.

Recent

The Great Beauty (La Grande Bellezza, Sorrentino, 2013) — an Oscar-winning portrait of contemporary Rome's Baroque excess and melancholy — uses rooftop terraces, palazzi and the catacombs in a way that rewards recognition on the ground.

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